Thursday, May 26, 2011

If I Picked the Winners: Best Actor 2006

     The good, the bad, and the mediocre: that's what you get with the Oscars, and this week, we'll be highlighting the latter of the three with Best Actor 2006. Up to this point, I've tried to pick Oscar categories that included at least some nominees that I had a passionate opinion on (whether it be positive or negative), but this week, I thought I would highlight indifference incarnate, blase personified, mediocrity embodied. Now of course, these adjectives won't apply to this article, which (as always), will be peerless, but rather the lineup of candidates that made up the Academy's Best Actor race of 2006. Whether in writing or in thought, it is actually an extremely useful exercise to analyze the middle of the road fair, for when we understand what separates the average from the excellent, we have a better understanding of the things that truly touch us, make us move as human beings. If "it's all relative," then we sure as hell better know relative to what, and this week we will discussing the what.

     Now as critics of the Academy (and who isn't), the question arises, was 2006 just a middling year for lead actors, or did the Academy, yet again, skip over superior work for more comfortable choices conforming to their typical patterns of familiarity? While maybe not the most stirring year for male lead performances, like almost any year, 2006 did have some above-par turns, but a typical Oscar nemesis reared its ugly head, preventing meritocracy from ruling the day: the ensemble film. I don't know what it is about film's with great ensemble casts that prevent the Academy from rewarding their individual actors (category confusion, cast cancellation?), but with a few exceptions (such as the first two "Godfather" films), multiple cast members from the same film are rarely nominated, no matter how deserving they all are. For 2006, the biggest example of a wronged actor is actually one of the nominees (which was undoubtedly part of the problem), Leonardo DiCaprio. As you will see momentarily (if you did not already know), DiCaprio was nominated for Best Actor in 2006, but not for his career's best work as an undercover Boston policeman in Martin Scorsese's "The Departed", but rather for his underwhelming role as a mercenary involved with the African conflict diamonds trade in "Blood Diamond". How DiCaprio did not win, much less get nominated, for "The Departed" is a mystery that only people in Hollywood know the answer to. It may have something to do with the fact that DiCaprio's costar in "The Departed", Matt Damon, was also likely eligible for the lead category, and likewise gave one of his all-time best performances. As some sort of stupid compromise, instead of doing the right thing by nominating them both, some in the Academy may have decided to throw their weight behind DiCaprio's sub-par "Blood Diamond" performance. It doesn't make sense, but it's the type of reasoning the Academy seems to employ all too often.

     Another wonderful performance from a great ensemble film that was deserving of a nomination was Greg Kinnear as an aspiring motivational speaker in 2006's "Little Miss Sunshine". Again, I'm not sure of which category most people placed him in, but as the dad of "Little Miss Sunshine" herself, if he is not considered lead, then I guess everyone in the film is "supporting". Another worthy, but categorically questionable, performance is that of Michael Sheen as former British Prime Minister Tony Blair in "The Queen". It's one of the best portrayals of a modern political figure that I can remember (and one Sheen has done three times), but whether it should qualify as a lead performance is tough to say. Finally, one last performance that isn't spellbinding, but a step ahead of some of the competition, is Ryan Phillippe as John Bradley, in Clint Eastwood's "Flags of our Fathers", the story of the men who were forever engraved in American consciousness after their picture was snapped raising the American flag over Iwo Jima. For now though, let us take a look at the group of so-so nominees.

Sunday, May 22, 2011

News: Cannes Film Festival Hands Out Its Honors

     Over the last ten days or so, the world's most prestigious film festival, the Cannes film festival, has been going on in France. Today though, the festival, which had a fair amount of big name premieres this year, as well as some unwanted media attention for controversial Danish filmmaker Lars von Trier scandalous "I am a Nazi" comments (for which he was banned from ever attending the festival again), wrapped up with its traditional end-of-festival awards. The way the festival awards films is it places them in different categories of competition, with the films considered to be in the "major leagues" put in the Palme d'Or competition, and it has a selected jury watch every eligible film. After seeing each of the films in competition, the jury (which this year was headed up by Robert De Niro) argues with one another until they decide in which films receive which awards.

     So then, who was this year's big winner? Terrence Malick's highly anticipated "The Tree of Life", which releases world wide this Friday, took the festival's top prize, the Palme d'Or. The film, which stars Brad Pitt and Sean Penn, actually received mix scores from the reviewers at the festival, but it apparently hit a cord with the jurors. Being an American film with big name actors and a highly acclaimed director, this is also a film to watch at the end of the year for the Oscars, but the crossover between Palme d'Or and Oscar Best Picture is small. In fact, it has only happened once, in 1955, when a film originally meant for television, "Marty", miraculously took both highly regarded top prizes. A few other Palme d'Or winners have managed to do pretty well at the Oscar's, with Tarantino's "Pulp Fiction" being the most famous, but no others have managed to win both, so it's hard to say how this affects "The Tree of Life"'s overall Oscar potential.

     Some of the other big winners of the festival include Danish filmmaker Nicolas Winding Refn, who picked Best Director for his action/"B"-movie homage flick, "Drive". The film stars Ryan Gosling, along with a lot of other fairly big names, and probably would have been the general consensus Palme d'Or winner had the critics been allowed to decide. Personally, I have not seen any of Mr. Refn's previous films, but from the description of the film and its rave reviews, this is now one film that is high atop my anticipated list. Another big winner was Jean Dujardin, who picked up the Best Actor award for "The Artist". Yet another film earning high marks, "The Artist" is a black-and-white film about the tail end of the silent-age of cinema, which the film itself is almost completely done in pantomime. Even before the film debuted in Cannes, the Weinstein's picked it up for U.S. distribution, which given their track record (this was the team behind last year's "The King's Speech" victory), may make this a end of the year awards season player. Finally, the jury, maybe in a rebellious stand for the right of freedom of expression, were not too scared off by von Trier's unfortunate remarks to award the film any prizes, giving it's Best Actress to Kirsten Dunst in "Melancholia". Given the Academy's general xenophobia, it's hard to say that (even with the good reviews) any of these three films will end up to be Oscar contenders when all is said and done. It's true that all three films are not in foreign languages ("Drive" and "Melancholia" are in English, and "The Artist", being a silent film, is not in any language at all), but unless these films get a lot of critical backing consistently throughout the year, I have a hard time imaging any one of them beating out any of the big-shot movies such as, say, "The Tree of Life". The good news though is just how many well-received films there were at this year's festival. Compared to last year, where the main word critics used to sum up the festival was "underwhelmed", this year looks to be a much more promising year for unique, groundbreaking cinema.

     For the curious, the complete list of this year's winners is given below.

Palme d'Or: "The Tree of Life"
Grand Prix (aka Runner-up): (tie) "The Kid With a Bike" and "Once Upon a Time in Anatolia
Best Director: Nicholas Winding Refn for "Drive"
Best Actor: Jean Dujardin for "The Artist"
Best Actress: Kirsten Dunst for "Melancholia"
Best Screenplay: Joseph Cedar for "Footnote"
Prix du Jury: "Polisse"

Camera d'Or: "Las Acacias"
Palme d'Or (Short Film): "Cross Country"